Italian c1370-c1424 Lorenzo Monaco Gallery was a Florentine painter. He joined the Camaldolese monastery of Santa Maria degli Angeli in Florence in 1391, but he left monastic life before making a lifetime commitment. Despite this fact, he has traditionally been called "Lawrence the Monk." His work shows the influence of the International Gothic style of the late fourteenth century, as well as that of the Sienese school.  Related Paintings of Lorenzo Monaco :. | The Coronation of the Virgin | The Banquet of Herod (mk05) | The Adoration of the Magi | Pieta of Christ with Mourners and the Symbols of the Passion | Virgin and Child Enthroned with Sts John the Baptist and John the Evangelist |
Related Artists:
Paris Bordone
Italian 1500-1571 Italian painter and draughtsman. He is best known for his strikingly beautiful depictions of women, both in portraits and in cabinet paintings. He also excelled in rendering monumental architectural settings for narrative, both religious and secular, possibly initiating a genre that would find great currency during the mid-16th century, especially in Venice, France and the Netherlands. His favoured media were oil and fresco, the latter being used on both interiors and faades. Although he was not generally sought after by Venetian patrons during his career, as his art was eclipsed by that of Titian, Paolo Veronese and Jacopo Tintoretto, Bordone was regarded in the mid-16th century as an accomplished artist (Pino; Sansovino). He worked for the moneyed lite of northern Italy and Bavaria, for the royalty of France and Poland, and had works commissioned to be sent to Spain and to Flanders. Despite knowledge of the important patrons for whom he worked, the chronology of Bordones oeuvre is by no means clear. Dating on stylistic grounds is confounded by the diverse sources on which he drew, ranging from the Emilian, Lombard and Venetian to the French and northern European, depending on the patron. Due to the ease with which prints circulated during Bordones career, it is difficult to ascertain whether influences were derived at first hand or from printed images. Such difficulties in assigning dates are further exacerbated by his use of the same figure study for numerous paintings evidently executed decades apart. Reliance on the testimony of Vasari, who interviewed Bordone in 1566, in conjunction with the extant documents, the few signed and dated paintings and, to a lesser extent, period fashion provides only a rough outline of his activity. Due to the lack of agreement among scholars regarding chronology, the following account is based mainly on the documentary evidence.
AMMANATI, Bartolomeo
Italian Mannerist Sculptor, 1511-1592 Italian sculptor and architect. He was a major figure in Italian art in the second and third quarters of the 16th century. His extensive travels in north and central Italy gave him an unequalled understanding of developments in architecture and sculpture in the era of Mannerism. His style was based inevitably on the example of Michelangelo but was modified by the suaver work of Jacopo Sansovino. In both sculpture and architecture Ammanati was a highly competent craftsman, and his masterpieces, the tombs of Marco Mantova Benavides and two members of the del Monte family, the Fountains of Juno and Neptune and the courtyard of the Palazzo Pitti, are among the finest works of the period.
Candido Lopez
(29 August 1840eDecember 31, 1902) was an Argentine painter and soldier. Born in Buenos Aires, he is considered one of Argentina's most important artists. He is most famous for his detailed paintings and drawings of battles of the War of the Triple Alliance, in which he also fought, losing his right arm. As a result, he learned to paint with his left hand. He was already a prestigious artist by age seventeen, and had been taught by the exiled Italian Risorgimento artist Baldassare Verazzi. His paintings of battles reflect his love of detail and showy colors that depict the war in miniature. Many of his works are found in the National Fine Arts Museum in Buenos Aires. He is buried in La Recoleta Cemetery, also in Buenos Aires.